The article "LACHAISE ET L'ANTILOPE" by Monica D'Andrea explores the work and journey of Jomo Tariku, an industrial designer with Sub-Saharan African roots who now resides in Washington. The article discusses Tariku's childhood memories, which were shaped by the furniture and art pieces surrounding him, and how his unique artisanal approach reflects his African heritage while surprising the American design scene.
Tariku's background as the son of an Ethiopian army colonel and his upbringing surrounded by furniture, rugs, and art pieces laid the foundation for his design philosophy. He discovered Tariku's work about three years ago and was immediately drawn to the craftsmanship, particularly the intricate curves and lines in his pieces, which reflect his African culture and distinct influences.
The article highlights Tariku's journey, including his move to the University of Kansas in 1987, where he earned a degree in industrial design and began developing his own style. Despite taking three decades for the world to discover his talent, his pieces have found their way into prestigious collections, including the LACMA in Los Angeles and the Metropolitan Museum of Art in New York.
Tariku's designs are known for their blend of tradition and futurism, resonating with people who appreciate the purity of his work. The article mentions his upcoming exhibitions in New York and Shanghai, where he will showcase new pieces.
The article also delves into Tariku's inspiration behind his Nyala chair, which draws from the silhouette of an extinct antelope with elegantly striped fur. Tariku's aim with this chair, like his other works, is to create a new design inspired by various aspects of African culture, from hairstyles to body painting to architecture and more. He aims to challenge the perception of African craftsmanship beyond clichés like masks or patterned fabrics.
Tariku's meticulous choice of materials, such as walnut and ash, complements his minimalist and sculptural designs. He emphasizes the importance of sketching and research in his creative process, sometimes revisiting initial ideas years later to see how they evolve.
In summary, the article explores the artistic journey of Jomo Tariku, an industrial designer who brings his African heritage to the forefront of his unique and minimalist furniture designs, challenging preconceived notions of African craftsmanship and leaving a mark on prestigious collections worldwide.
